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"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.
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5 min
1986-01-01
Released
French
1
3
5.8
Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
1964-01-01 | ja
3.8
Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
1977-06-14 | ja
0.0
An Aesop's Fables cartoon with monkeys monkeying around.
1924-10-25 | en
4.0
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
2020-11-26 | es
3.6
A short reenactment of a scene from Goethe's Faust.
1897-09-01 | fr
5.7
A study of traffic movement in Paris.
1928-01-01 | fr
6.6
The use of human hands as characters in a dance inspired narrative are used to explore female experience and representation. By drawing upon experimental traditions found in international art, film, and photography movements of the 1920s, Simon transforms a simple melodramatic love story into an avant-garde feminist short film. (Jennifer Wild)
1927-01-01 | de
6.2
In this hand-colored short, a magician and his assistant do a series of magic tricks, including making potted plants appear, among others. Melies played the magician, and the actor Manuel played his assistant.
1909-12-01 | fr
0.0
A monumental homage to Glenn Miller, a one shot film - Glenn Miller 2000. This 26- minute long piece, shot on a circular road in Novi Zagreb in many ways corresponded to the previously discussed attributes that linked Tom's homages and "uses" of Glenn Miller with Miller's music and personality.
2001-01-01 | hr
4.1
A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
1895-11-01 | de
5.0
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
1897-03-21 | fr
5.6
Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.
1910-04-11 | fr
6.0
A panorama of Coney Island, taken at night: the camera sweeps across the scene from a vantage point well above the area. It then moves in for closer views of Dreamland and Luna Park.
1905-06-29 | en
5.1
A magician creates a troupe of dancers out of thin air.
1905-03-03 | fr
3.9
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog)
1896-10-31 | en
3.8
“This shows the Fire Department leaving headquarters for an early morning fire. The scene is remarkable for its natural effect. The opening of the engine house doors, the prancing of the horses, and even the startled expression upon the faces of the spectators are all clearly depicted.” -Edison Films, 1897. 150 ft. strip, filmed December 25, 1896 in Harrisburg, Pennsylvania.
1896-12-31 | xx
3.6
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus)
1897-01-01 | en
4.1
Along the seashore near San Francisco, a boat belonging to the Pacific Coast Life Saving Service can just be seen as it returns to shore. Several men are at the oars. As the boat approaches land, it must make its way through rough waves and surging water.
1897-10-01 | en
5.9
Filmed in 1896 by Alexandre Promio for the Lumière company, this short actuality presents one of the earliest traveling shots in cinema. With the camera mounted on a gondola, the film glides along Venice’s Grand Canal, capturing passing gondolas, bustling waterfront activity, and the city’s iconic architecture from a moving perspective. This simple yet groundbreaking technique introduced audiences to a new way of experiencing motion on screen.
1896-10-25 | fr
4.2
Five black and white minstrels dancing and playing musical instruments in Rupert Street, London.
1896-03-10 | xx