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[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
$0
$0
1 min
1897-03-21
Released
French
34
5
4.7
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
1980-01-01 | pl
7.1
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
1922-06-11 | en
7.1
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896-06-30 | fr
7.5
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
1927-09-23 | de
5.4
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
1920-11-23 | es
7.0
2002-11-26 | es
0.0
A tour of Istanbul in all its glory. All the sights, such as the Hagia Sophia, but also the small details are shown.
1954-01-01 | de
5.5
A documentary about a 15-day river-rafting trip on the Colorado River aimed at highlighting water conservation issues.
2008-03-12 | en
6.5
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
1997-10-17 | en
7.0
Straight Up: Helicopters in Action will take audiences on a series of aerial adventures. Fly along with skilled helicopter crews as they carry out sea and mountain rescues, apprehend drug smugglers, repair high voltage lines, save endangered animals, deliver humanitarian aid, and undertake a reconnaissance mission. Learn how helicopters are flown.
2002-09-18 | en
6.3
A look at the great wolf debate with comments and views from people on both sides. It also contains footage of Natives dressing up & doing tribal dances. The link between wolves, bison, and Native Americans; as well as white man's reasoning behind their determination to eliminate bison and wolves from the landscape.
1999-03-01 | en
5.4
Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
2005-02-17 | en
7.2
A big-screen look into one of America's most successful entertainment industries, NASCAR racing.
2004-03-12 | en
5.8
12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.
2003-09-14 | en
3.8
A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.
1898-04-06 | en
0.0
On a market day in Kernascleden, two Breton women exchange their hair for a few coins. The hair becomes hairpieces. Last scene, an elegant Parisian removes her hat and exposes her generous wig skillfully coiffed.
1909-10-01 | en
4.0
Also known as The Operation of Dr. Alejandro Posadas. Filmed with early orthochromatic film in the Hospital de Clínicas de la Ciudad in Buenos Aires.
1899-01-01 | es
0.0
In 1902, Emery and Ellsworth Kolb opened a studio in the Grand Canyon and began making photographs of mule parties, landscapes, river adventures, and nearly every other dramatic scene and incident that occurred in the area. They also successfully navigated the Green and Colorado Rivers in 1911, filming their journey. This film ran in the Kolb Studio in the Grand Canyon from 1915 until Emery's death in 1976.
1915-01-01 | en
6.4
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
1888-10-14 | en
6.0
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
1888-10-15 | xx