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A monumental homage to Glenn Miller, a one shot film - Glenn Miller 2000. This 26- minute long piece, shot on a circular road in Novi Zagreb in many ways corresponded to the previously discussed attributes that linked Tom's homages and "uses" of Glenn Miller with Miller's music and personality.
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26 min
2001-01-01
Released
Croatian
0
0
6.0
Turmoil of unsheltered childhood: The dwelling as self.
2000-07-11 | fr
6.0
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
1963-05-23 | en
6.8
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
1932-01-01 | xx
6.0
'Hibiscus' highlights the city's hidden beauty and the warmth of its people that may go by unnoticed on a daily basis but are beautiful reminders to appreciate.
2019-10-19 | en
0.0
Emerging from a period of withdrawal, a social recluse or ‘hikikomori’ relates her inner experiences against the backdrop of an illuminated and restless urban environment that never sleeps.
2018-01-01 | ja
2.0
The film is a study of nature and significance of the hands in cinema. Besides review of movements and actions, which creates an independent story, it reveals interactions and interdependence of cinematic traditions of various authors, countries and periods
2016-10-24 | en
0.0
Time to Remove Superman It is fragmentarily a story of death and it can also be connected to the opposite - birth. When I did research for this work, what was really interesting was an article read that 'We came from dirt and we go back to dirt' is everywhere in all religions and philosophies of all cultures. And I found that sentence and thought over different things and I reached it was meant to be only that way. Regardless of primitive or modern society, religions or philosophies couldn't help but think human body is rotten away and it is cremated and made dirt. We know the process but we haven't seen that. I thought it would be meaningful if I made that out to show. We've watched a mummy disappearing in a movie using CG but I thought I could visually display a message that things we cherished or in which knowledge was contained were made dirt or on the other way, they had been dirt before they came to us.
2006-02-01 | ko
5.7
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
2000-01-01 | en
5.8
Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.
2002-01-01 | en
0.0
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
1975-12-01 | ko
4.8
An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
1989-01-01 | ru
6.9
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
2003-11-07 | da
0.0
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
2007-05-03 | en
5.0
Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.
1993-03-30 | ru
4.4
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
1957-03-01 | de
1.0
The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.
2008-04-09 | en
0.0
Alex and José, is a 16mm single channel projection that explores gender, movement and form.
2007-04-09 | en
0.0
Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.
2004-04-09 | en
0.0
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
1992-01-01 | en
0.0
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
1999-01-01 | en