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Centrist revelations abound among repetitions & revisitings.
$0
$0
2 min
2017-06-09
Released
English
2
6.5
8.0
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
1969-01-01 | en
0.0
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
2017-08-29 | en
10.0
Don't ask me why, but I feel we're about to cry trying.
2017-06-17 | en
10.0
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
2017-06-10 | en
10.0
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
2017-06-17 | en
10.0
Rather pointless, rather stilted, fetid; not what we want us going after.
2017-06-19 | en
7.0
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
1988-10-29 | en
10.0
This cacophony runs over me, over everything I see, everything I want to see: it's me.
2017-06-04 | en
10.0
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
2017-05-26 | en
10.0
Hiding inside&out, writhing about, taken out&in.
2017-05-30 | en
10.0
Your raging romp results only in rescinded regret @ the hands of radder cadets.
2017-06-13 | en
10.0
Return to 'burn' only to find out you're already in that urn.
2017-05-23 | en
10.0
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
2017-05-23 | en
10.0
Slowed, stowed, achingly retold.
2017-06-11 | en
7.0
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
1987-07-15 | en
8.0
An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.
2017-06-20 | en
5.9
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
1997-10-24 | hu
0.0
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.
2008-01-01 | xx
7.1
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
1965-05-07 | en
0.0
The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.
2017-11-20 | sl