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Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
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3 min
1969-01-01
Released
English
2
8
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
10.0
This cacophony runs over me, over everything I see, everything I want to see: it's me.
2017-06-04 | en
7.0
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
1988-10-29 | en
0.0
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
2017-09-19 | en
0.0
One of four biopics—all to be released in April 2028—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of John Lennon.
| en
0.0
One of four biopics—all to be released in April 2028—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of George Harrison.
| en
0.0
One of four biopics—all to be released in April 2028—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of Paul McCartney.
| en
0.0
One of four biopics—all to be released in April 2028—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of Ringo Starr.
| en
8.0
The documentary about how Beatles went popular in Japan and did a concert in Budokan back in 1966.
2023-01-27 | ja
0.0
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
2017-08-29 | en
10.0
Hiding inside&out, writhing about, taken out&in.
2017-05-30 | en
10.0
Slowed, stowed, achingly retold.
2017-06-11 | en
5.9
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
1997-10-24 | hu
0.0
2019-01-06 | pt
10.0
Don't ask me why, but I feel we're about to cry trying.
2017-06-17 | en
10.0
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
2017-06-17 | en
10.0
Rather pointless, rather stilted, fetid; not what we want us going after.
2017-06-19 | en
10.0
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
2017-06-10 | en
10.0
Your raging romp results only in rescinded regret @ the hands of radder cadets.
2017-06-13 | en
0.0
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
2020-09-02 | es
0.0
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.
2008-01-01 | xx