The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

1896-06-30 | fr

The Mythologist

The many lives of Henry Azadehdel, aka Armen Victorian, aka Henry X, as told by the peace activists, UFO researchers, botanists and everyday people who encountered him - whoever he was.

2004-10-06 | en

Post Traumatic: An American Nightmare

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

2009-07-28 | en

Inside the Russian Info War Machine

Acclaimed journalist Paul Moreira investigates how Russia manipulates public opinion, undermines democratic governments and attempts to alter world events. The public face of foreign policy: the state news channels, Sputnik and Russia Today. But working in the shadows is the hidden part: the hackers and trolls pushing the Russian agenda - The Russians know that public perception of their country has reached a new low. Russophobia is massive. Their message is tainted with illegitimacy. But how does the Russian information war machine work?

2018-01-01 | fr

Akira Kurosawa: My Life in Cinema

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

1993-01-01 | ja

The Spirit of the Tsilqot'in People is Hovering over the Supreme Court

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

2023-12-01 | en

Larisa

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

1980-10-01 | ru

Clawing! A Journey Through the Spanish Horror

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

2014-06-20 | es

Fanalysis

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

2002-03-05 | en

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2008-01-01 | it

Red Arrows

The British Royal Airforce's Red Arrows show off their skills.

1969-05-08 | en

Let's See Copia Conforme

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

2010-01-01 | it

Mainsqueeze

A compelling mix of attraction and repulsion, Mainsqueeze is entirely composed of footage found online, surfing the deep web.

2015-01-24 | en

Life Squared

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

2007-01-01 | en

Silversun Pickups: Behind Better Nature

A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.

2016-01-10 | en

Loucura e Cultura

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

1973-11-08 | pt

Love & Loyalty: The Making of 'The Remains of the Day'

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

2001-10-22 | en

Féria

A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...

1961-01-01 | fr

Barn Rushes

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

1971-01-01 | en

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

1895-03-22 | fr