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2024-05-07
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French
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Herself - soprano
Herself - mezzo-soprano
Herself - Tenor
Himself - bass
Herself - host
Himself - host
0.0
Relying on a bounty of archival footage and interviews with prominent musicians and intimates, Philo Bregstein's film traces the life and career of the conductor and composer Otto Klemperer, one of the foremost musicians of his time.
1985-05-16 | en
7.1
Two apartment house dwellers, although unrelated, share the same name. One is an older man with an appreciation for and love of classical music, while the other is a younger man addicted to swing music. The niece of the older man arrives for a visit and gets into the wrong apartment. Complications arise.
1937-02-18 | pl
9.0
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
1976-01-11 | en
9.0
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
1976-01-11 | en
9.0
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
1976-01-11 | en
8.0
Evgeny Igorevich Kissin was born in Moscow on the 10th of October 1971. He started to play the piano at the age of two, as soon as he was tall enough to reach the keyboard and he has not looked back from that day to this. His is a very rare story of continued success that has had the simultaneous blessing of critics, the public and musicians alike. This film by Christopher Nupen shows Kissin in preparation, interview, rehearsal and performance, with several dazzling performances shot live on stage, in true concert conditions. It also contains all the encores from Kissin's memorable Promenade concert at the Royal Albert Hall, London, in August, 1997—the first Prom concert by a soloist, it attracted the biggest audience in all the 103 year history, very nearly six thousand people. The music is by Liszt, Gluck, Haydn, Beethoven, Schubert, Paganini, Kissin himself and Chopin, the composer for whom Kissin feels the closest affinity.
1999-12-31 | en
10.0
“The most important work doesn’t take place on stage, but everywhere else,” Teodor Currentzis is convinced. And that is precisely where this film portrait follows him. For eight months, German director Andreas Ammer accompanied the charismatic conductor. He observed him in rehearsals with the SWR Symphony Orchestra, which Currentzis leads as chief conductor since 2018. He has visited him at his former place of activity in Perm, where he led the opera house from 2011 to 2019 and launched his career through meticulous work with his ensemble musicAeterna. He accompanied Currentzis on guest performances and had numerous conversations with him. The result is a many-faceted portrait of the impressive musician, who sees his profession also as a spiritual mission.
2018-12-02 | de
6.5
Chronicles the Fifth International Piano Competition for Outstanding Amateurs, hosted by The Van Cliburn Foundation. Players from all over the world, ranging from self-taught to classically-trained, aged thirty-five to almost eighty, convene in Fort Worth, Texas for a week of intense competition, music and camaraderie. The film the film provides an intimate look into the lives of these colorful, multi-faceted competitors as they strive to balance the demands of work and family with their love of music. Years of dedicated preparation culminate in critical performances before a professional jury and discerning audience during three nerve-wracking elimination rounds.
2008-10-25 | en
0.0
1982-01-01 | cs
7.5
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
1976-01-11 | en
9.0
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
1976-01-11 | en
0.0
This film takes you through the inspiring journey of Venezuela's Coro de Manos Blancas (White Hands Choir) while exploring their daily struggles and lives. Established in 1995 as part of Venezuela's El Sistema program, the White Hands Choir provides artistic opportunities for children, youth, and adults with disabilities, utilizing music for social development and inclusion.
2025-03-21 | es
0.0
The New Year's Concert from in Vienna delights countless spectators every year. The list of star conductors who have conducted this traditional concert reads like a who's who of the international music scene and it is an honor for even the biggest star to be invited by the Vienna Philharmonic. In 2002, this was the renowned conductor Seiji Ozawa, who became music director of the Vienna State Opera that year.
2002-01-01 | de
6.6
Famed composer Gustav Mahler reflects on the tragedies of his life and failing marriage while traveling by train.
1974-04-04 | en
6.3
This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.
2006-07-26 | it
0.0
J Fever, China’s greatest “rap poet”, reinvents the origin myth of fire, in an exquisite performance with Shanghai Philharmonic in Shanghai Concert Hall, featuring composer Soulspeak and Yehaiyahan.
2021-09-11 | zh
0.0
1991-01-01 | cs
0.0
1986-01-01 | de
6.8
I Love to Singa depicts the story of a young owl who wants to sing jazz, instead of the classical music that his German parents wish him to perform. The plot is a lighthearted tribute to Al Jolson's film The Jazz Singer.
1936-07-18 | en
0.0
Set against the backdrop of a 1960s jungle seaport in tropical Australia and the rich concert halls of wintry Vienna, talented eighteen year old pianist Paul Crabbe moves to an exotic outpost of far Northern Australia. There, he is forced to study under the only piano teacher his father can find – the eccentric, enigmatic Herr Keller, a Viennese refugee with a shadowed past. Living above a dilapidated hotel in the dripping heat of this seaport, Keller is known to the locals as 'Maestro', a broken, elegant drunkard. But who is he? Does he come from a lineage of great European pianists, or is he a fraud?
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