Otto Klemperer's Long Journey Through His Times

Relying on a bounty of archival footage and interviews with prominent musicians and intimates, Philo Bregstein's film traces the life and career of the conductor and composer Otto Klemperer, one of the foremost musicians of his time.

1985-05-16 | en

The Apartment Above

Two apartment house dwellers, although unrelated, share the same name. One is an older man with an appreciation for and love of classical music, while the other is a younger man addicted to swing music. The niece of the older man arrives for a visit and gets into the wrong apartment. Complications arise.

1937-02-18 | pl

Lisztomania

In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.

1975-10-10 | en

G. Mahler II. symfónia c mol "Vzkriesenie"

2022-12-11 | sk

B. Martinů: Koncert pro cembalo a malý orchestr

1990-01-01 | cs

Die Macht der Musik - 200 Jahre Beethovens Neunte

2024-05-07 | de

Ludwig van Beethoven: Symphonie Nr. 9 - Leipzig, Paris, Mailand, Wien

2024-05-07 | fr

Berlioz, Te Deum

1981-01-01 | fr

Carmina Burana - Carl Orff - Simon Rattle

Gala concert from Berlin the world famous Berlin Philharmonic conducted by Sir Simon Rattle, in Carl Orff's famous Carmina Burana, an intensely dramatic cantata that remains one of the most performed works of the twentieth century. With an extraordinary vocal line-up soprano Sally Matthews, tenor Lawrence Brownlee and baritone Christian Gerhaher. With Rundfunchor Berlin with Chorus Master Simon Halesey as well as the Knabenchor des Staats- und Domchores Berlin.

2004-12-31 | la

Years of Pilgrimage: The Wandering Soul of Franz Liszt / Fashionable Empire

YEARS OF PILGRIMAGE: Franz Liszt was a virtuoso pianist that took early nineteenth-century Europe by storm. He conquered the Parisian salons with passionate performances marked by excellent technique and handsome features that became the downfall of many women. But what was he truly after? The musical narrates the story of Liszt's early years, and his pilgrimage across Europe in an attempt to find a place where his soul could belong, focusing on the romance with the Countess Marie d'Agoult, and his greatest friend and rival, Chopin. FASHIONABLE EMPIRE: A revue that transforms the stage into the "Empire" where the pioneering fashionistas of our time gather. The stylish array of scenes will enchant the audience, at times with the cool atmosphere, and at times with the hot beats. While focusing on the sophisticated and metropolitan appeal of top star Yuzuka Rei this revue also shows off the unique, scintillating members of Flower Troupe through many groovy scenes.

2022-06-04 | ja

Dvořák: From the New World

Recorded live at the Gewandhaus zu Leipzig in May 2017, this release features a delightful concert by the Gewandhausorchester Leipzig and conductor Andris Nelsons. For the program, the conductor has chosen works by Antonin Dvorak, including the Othello Concert Overture, and his famous Symphony No. 9 in E minor- “From the New World.

2018-02-23 | de

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

2017-10-26 | de

New year's Eve Concert 2017: Berlin Philharmonic

2018-02-16 | de

The Unanswered Question II : Musical Syntax

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

1976-01-11 | en

The Unanswered Question I : Musical Phonology

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

1976-01-11 | en

The Unanswered Question IV : The Delights and Dangers of Ambiguity

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

1976-01-11 | en

Herbert von Karajan, Symphonie n°5 Beethoven

1967-01-09 | de

J. A. Benda: Koncert g moll pro cembalo a smyčce

1982-01-01 | cs

The Unanswered Question V : The Twentieth Century Crisis

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

1976-01-11 | en

The Unanswered Question VI : The Poetry of Earth

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

1976-01-11 | en