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Andalusia, Spain, 19th century. The roads are infested with bandits who sow panic among travelers. Although most of them are ruthless killers, Lucero is a true champion of the disinherited.
$0
$0
85 min
1953-10-08
Released
Spanish
6
5.3
Juan Pablo de Osuna
Consuelo
Lucero
Chiclanero
Joaquín de las Hoces
Padre de Flores
Miguel
Novato
Jacinto
Vargas
Tomás
Oficial 1º
Lorenzo Ruiz
Don Félix
Párroco
Santiago
Don Esteban
Rana
Oficial 2º
Posadero de Utrera
Soledad
Risueño
Tranquilo
Lobato
Venancio Torres
Curro Infante
Pastor 1º
José
Juez de Ronda
Tabernero
Flores
Mocuelo
Tío Lucas
Hombre de Zahara
Chico de la taberna de Utrera
Gitano
Mendigo ciego
Moza de "Los Rosales"
Mozo de "Los Rosales"
Romancero
Don Fernando
4.8
Set in rural South of Spain in the 19th century, tells the story of group of outlaws, from very different origins, trying to survive, hiding from the law enforcement officers in caves in a hilly area, and their struggle against the evil mining company that exploits the poor people of their home village.
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4.5
"Pasos largos" (long steps) is an alias for the last Andalusian bandit, after engaging in poaching for a living, he begins to commit small crimes in the mountainous area of Ronda (Malaga, Spain), but everything gets even more complicated.
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Two estranged adopted sisters are forced together by their mother's sudden death: Beatrice, an autistic Chinese high school senior who wants to learn to fly, and Talia, a queer black musician who never wanted custody of Beatrice in the first place. Starring the autistic actress the story is based on, the film blurs narrative and documentary styles and showcases a unique and underrepresented perspective on death and grief.
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Screen adaptation of James Franco's novel 'Actors Anonymous', in which the Hollywood star addresses the strange addiction of acting, based on the 12-step program of Alcoholics Anonymous.
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Little Betty has a luxurious home, an army of servants and the costliest of toys. But she hasn't what a child wants most of all, other children to play with. The result is that she runs away and joins a group of children from the ghetto district on the beach. In play she exchanges clothing with a little boy. That evening Betty doesn't return home. Her maiden aunt, an over-zealous guardian, is frantic. She notifies the police. The same evening the father of the boy, who has lost his position and is facing starvation, decides to turn burglar. He steals into the home of Betty's father. The household is awakened and the intruder captured.
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GOOD GRIEF is a darkly comedic whirlwind, set in Salt Lake City at a Mormon Mortuary. We follow Avery, the estranged daughter of the deceased, who is slowly suffocated by her dysfunctional family at the viewing of her father’s body. Her patience wears thin as her family members continue to make the day about themselves. Eroded with guilt over her father’s last attempt at connection before his suicide, Avery reaches a breaking point which blows the lid off the family’s repressed grief. GOOD GRIEF is a fast paced, overwhelming, emotional portrait of collective grief and the bizarre ways in which we cope.
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