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An account of the many tribulations that Chinese artist Ai Weiwei, known for his subversive art and political activism, endured between 2008 and 2011, from his rise to world fame via the Internet to his highly publicized arrest due to his frequent and daring confrontations with the Chinese authorities.
$0
$181107
92 min
2012-06-14
Released
English
80
7
Self - Artist
Self - Artist
Self - Sculptor
Self - Magazine Publisher
Self - Art Gallerist
Self - UCCA Museum Director
Self - Art Curator
Self - Journalist
Self - Sichuan Earthquake Volunteer
Self - Sichuan Earthquake Volunteer
Self - Filmmaker
Self - Writer
Self - Weiwei's Brother
Self - Musician
Self - Weiwei's Blog Translator
Self - Weiwei's Wife
Self - Art Assistant
Self - Haus der Kunst Director
Self - Weiwei's Mother
Self - Weiwei's Videographer
Self - Artist
Self - Performance Artist
Self - Photographer
Self - Performance Artist
Self - Weiwei's Son
Self - Lao's Mother
Self - Tate Modern Chief Curator
Self - Sichuan Earthquake Activist (archive footage)
Self - TV Host (archive footage)
Self - US Military Officer (archive footage)
Self - Performance Artist (archive footage)
Self - Writer (archive footage)
Self - Politician (archive footage)
6.3
The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.
1941-11-01 | en
6.0
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
1949-11-15 | en
0.0
The lives of three generations of women who suffered political persecution during the military dictatorship in Brazil.
2012-01-01 | pt
6.0
Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.
2017-04-07 | en
0.0
My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.
2011-01-01 | en
6.6
In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.
2007-04-11 | en
4.2
In Echigo, Japan, the snow often lies several feet deep well into May, covering landscapes and villages. Over the centuries, the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their festivals, and religious rituals, Ulrike Ottinger journeyed to the mythical snow country – accompanied by two Kabuki performers. Taking the parts of the students Takeo and Mako, they follow in the footsteps of Bokushi Suzuki, who in the mid-19th century wrote his remarkable book “Snow Country Tales”.
2011-09-15 | de
4.6
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
1997-06-20 | en
6.0
A biographical documentary following the life of a young Japanese priest and bar-owner.
2010-11-12 | fi
4.0
Documentary about Czech filmaker Vera Chytilova.
2004-06-02 | cs
7.5
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.
1958-11-01 | fr
0.0
An Israeli woman living in Amsterdam investigates why fans of the Ajax soccer team have appropriated the nickname "Superjews" – complete with Star of David hats, Israeli flags and songs like "Hava Nagila." We meet hooligans, an Ajax archivist, former Ajax president Uri Coronel and a Holocaust survivor. Who is the "real" Jew: the non-religious Israeli woman with an aversion to her own country's flag, or the "Jews" who flock to the stadium and dedicate their lives to the team? Superjews is about identity, the use of symbols, and what it means to be or feel Jewish. Filmmaker Nirit Peled takes on the role of narrator and guide in the land of Ajax, against the backdrop of her present-day life in Amsterdam and her past in Israel, a country she is very critical of. Though she is initially turned off by the "Superjew" phenomenon, her viewpoint becomes more nuanced as she learns more about it, and she manages to gain perspective on how she personally relates to the cult of Jews.
2013-11-24 | en
8.6
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
2006-10-05 | en
5.2
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
2006-02-15 | fr
0.0
Now We Live on Clifton follows 10 year old Pam Taylor and her 12 year old brother Scott around their multiracial West Lincoln Park neighborhood. The kids worry that they'll be forced out of the neighborhood they grew up in by the gentrification following the expansion of DePaul University.
1974-01-01 | en
0.0
In front of the camera, a woman relates how soldiers raped her during the war in the Democratic Republic of Congo. Another victim is filmed while bathing in a lake: 'Every time I smell their odour, I take a bath.' By expressing themselves and participating in support group meetings, raped Congolese women fight for recognition. At one meeting, men first point at the women's provocative clothing. But a soldier extends his support to the activists, just like a reverend does with a scathing sermon to his parishioners. The documentary switches back and forth between hope and sorrow. Two men took their wives back, one of them even participates in the information meetings now. But a young woman who tells about her rape will probably never get married. 'She will become a prostitute', her father sighs. The filmmakers meet with a condemned offender in jail, but he does not show any remorse.
2007-11-23 | en
5.0
Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/
2003-01-01 | en
10.0
Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.
2006-04-27 | en
5.2
'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.
2013-11-13 | da
6.2
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
2012-11-01 | pt