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Lin Jin, a passionate dancer held back by his father's disapproval, struggles to find creative inspiration. When he meets the confident and cheerful Xiao Zi, her influence helps him rediscover his passion and the true spirit of youth.
$0
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14 min
2018-04-09
Released
Chinese
0
0
Xiao Zi
Lin Jin
10.0
In 2020, the World was closed. Life got cancelled. People were struggling. Here’s an emotional and entertaining true story shot live, during the pandemic, about courageous people who came together, despite the risk, to share their love with one another. The film opens in Times Square on NYE 2020. Everything seemed right with the World. Fast-forward six months into the pandemic, hundreds of artists from all different performance art genres are invited to come together over the course of several consecutive days, culminating in a group costume parade event on 10/10/2020 to witness the only live performances happening ANYWHERE. The goal was to lift each other's spirits during the 2020 Covid-19 pandemic. There were over a dozen genres represented including acrobatics, live music, magic, dance, and even a wedding. Dozens of unscripted live interviews were recorded and the event proved a huge success. The film captures the rawness of what it was like living during this unprecedented time.
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How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
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In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
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A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.
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Classical violinist Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.
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With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
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After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.
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Three completely different stories are told through dance.
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Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
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