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A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
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93 min
2021-10-27
Released
Bulgarian
2
7
Self (archive footage)
Self (archive footage)
Self (archive footage)
Self (archive footage)
Self
Self
Self
Self
Self
Self
Self
Self
Self
7.5
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
1984-11-23 | en
6.3
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
2006-12-11 | en
6.0
Based on true events, an American submarine collides into a Soviet sub of the coast of America and an ensuing standoff occurs that could lead to total annihilation.
1997-10-18 | en
8.0
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
1975-03-07 | ru
4.5
The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).
1937-12-25 | ru
3.2
In 2016, DEFA celebrates its 70th anniversary: the film embarks on a journey into the exciting film history of the GDR. In a comprehensive kaleidoscope, the importance of DEFA productions is illuminated, the relevance of the films as propaganda productions for the GDR, which socio-political themes were in the foreground, but also which heroes DEFA brought to the screen and celebrated as people from the people.
2016-05-26 | de
4.5
1973-11-22 | fr
0.0
Stephen Poliakoff's parody of the spy-thriller genre. A Russian diplomat becomes convinced that he is at the centre of a Foreign Office plot.
1982-10-19 | en
6.4
"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.
2004-03-07 | hr
7.3
In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.
2006-08-04 | en
7.5
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
2008-11-14 | en
6.7
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
2007-03-28 | it
6.5
In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)
2009-09-06 | en
5.5
This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.
1995-01-01 | en
0.0
Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.
2009-01-01 | en
1.0
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
2013-11-30 | ru
4.9
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
2017-09-06 | fr
0.0
Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.
1962-07-29 | en
6.7
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
2019-10-17 | ru
0.0
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
2011-05-19 | en