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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
$550000
$0
127 min
1938-04-21
Released
German
116
6.9
Self - High Jump, USA (uncredited)
Self - 10000 Metres, Finland (uncredited)
Self - Carries British Flag (uncredited)
Self - Hammer Throw, Germany (uncredited)
Self - Shot Put, Finland (uncredited)
Self - High Jump, Hungary (uncredited)
Self (uncredited)
Self - IOC, Stands with Hitler, with Hurdlers (uncredited)
Self - 800 Metres, Canada (uncredited)
Self - 110m Hurdles, Great Britain (uncredited)
Self - Javelin Throw, Germany (uncredited)
Self - Spectator (uncredited)
Self - Spectator (uncredited)
Self - Spectator (uncredited)
Self - Marathon, Great Britain (uncredited)
Self - Hammer Throw, Germany (uncredited)
German Flag Carrier (uncredited)
Self - Stands with Hitler (uncredited)
Self - Declares Games Open (uncredited)
Self - 10000 Metres, Finland (uncredited)
Self - High Jump, USA (uncredited)
Self - Javelin, Finland (uncredited)
Self - High Jump, Germany (uncredited)
Self - Stands with Hitler, Salutes Italian Team (uncredited)
Self - High Jump, Finland (uncredited)
Self - Hammer Throw, Finland (uncredited)
Self - Javelin Throw, Germany (uncredited)
Self - Javelin Throw, Poland (uncredited)
Self - German Olympic Committee, Stands with Hitler (uncredited)
Self (uncredited)
Self - Walks Behind Greek Flag, in Greek Costume (uncredited)
Self - 1500 Metres, New Zealand (uncredited)
Self - Discus Throw, Germany (uncredited)
Self - Pole Vault, USA (uncredited)
Self - Sprinter, USA (uncredited)
Self - Discus Throw, Germany (uncredited)
Self - Marathon, Finland (uncredited)
Self - Marathon, Japan (uncredited)
Announcer (uncredited)
Self - Javelin, Finland (uncredited)
Self - Pole Vault, Japan (uncredited)
Self - Spectator Watching 10000 Metres Race (uncredited)
Self - High Jump, Great Britain (uncredited)
Self - 100 Metres, Holland (uncredited)
Self (uncredited)
Nude Dancer - Prologue (uncredited)
Self - Second, After Owens (uncredited)
Self - 10000 Metres, Finland (uncredited)
Self - Spectator, with Glasses, Behind Hitler (uncredited)
Self - Marathon, Japan (uncredited)
Self - Spectator (uncredited)
Self - Shot Put, Javelin Throw, Germany (uncredited)
Self - Triple Jump, Japan (uncredited)
Self - Marathon, Finland (uncredited)
Self - Javelin, Finland (uncredited)
Self - 110m Hurdles, USA (uncredited)
Self - Spectator (uncredited)
Self - Spectator (uncredited)
Self (Spectator, in White Suit) (uncredited) (unconfirmed)
Self - Shot Put, Germany (uncredited)
Self - Pole Vault (uncredited)
6.7
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
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7.6
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0.0
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6.7
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0.0
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1.0
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6.7
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0.0
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0.0
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7.0
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7.9
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0.0
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0.0
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