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Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera.
$0
$0
0 min
1944-08-08
Released
French
1
8
Carmen
Don José
Garcia
Lucas, le matador
Lillas-Pastia
Dancaire
Marquez, le lieutenant des Dragons / Marquez, il tenente dei Dragoni
Pamela
Un marchand / Un mercante
La gitane / La zingara
Remendado
La dame dame dans la diligence
Un moine
Isabella
Un voyageur
Antonio
Le vieux voyageur
Marquez, le lieutenant des Dragons
Un marchand
La gitane
4.5
The film is an adaptation of Henrik Ibsen's play A Doll's House. The film uses Ibsen's alternate ending where the unhappy couple are reconciled at the end
1944-02-14 | de
3.0
Czech drama film.
1951-04-27 | cs
0.0
Phantom hunter duo Brio and Drusilla clash with an Opera singer from another realm.
2022-05-05 | en
0.0
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...
1964-02-09 | en
6.6
This is a romantic story about a brave, self-made girl, despised daughter of a shepherd. She is not afraid of anything - neither night nor swimming. But the superstitious villagers are telling weird stories about her and about all sorts of strange things, even her conjunction with the powers of hell.
1949-04-29 | cs
6.2
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
2014-02-12 | en
8.0
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
1984-09-19 | en
8.0
In WWII-era Rome, underground resistance leader Manfredi attempts to evade the Gestapo by enlisting the help of Pina, the fiancée of a fellow member of the resistance, and Don Pietro, the priest due to oversee her marriage. But it’s not long before the Nazis and the local police find him.
1945-10-08 | it
8.4
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
1984-05-23 | en
0.0
Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.
| en
0.0
Donizetti’s timeless comedy shines in Otto Schenk’s enchanting production, conducted by James Levine and featuring a remarkable cast. The incomparable Anna Netrebko is Norina, the young widow beloved by Ernesto (a suave Matthew Polenzani), who is about to be disinherited by his miserly uncle, Don Pasquale (John Del Carlo). It takes the clever scheming of Dr. Malatesta (Mariusz Kwiecien) to set things right and to teach the old curmudgeon a lesson—fits of temper, mistaken identities, and all kinds of comic confusion included.
2010-11-13 | it
0.0
Göran Gentele's production of Verdi's Un ballo in maschera premiered on television on New Year's Day 1965. Gentele's version is an adaptation in which some of the roles have changed names and locations. The opera is sung in Swedish, and the translation was done by Erik Lindegren.
1965-01-01 | sv
8.0
Star soprano Anna Netrebko adds Donizetti’s hapless heroine to her growing list of Met triumphs in this production by Mary Zimmerman that updates the events to the 19th century. Rising young tenor sensation Piotr Beczała is Edgardo and Mariusz Kwiecien plays Lucia’s brother Enrico whose brutal authority forces her to deny her heart and marry for the sake of her family. The famous mad scene brilliantly depicts the cascading fragments of Lucia’s disintegrating mind.
2009-02-07 | it
7.0
A traditional chinese story about a girl, Zhu Yingtai, daughter of the noble Mr. Zhu, who goes to Hangzhou to study, dressed as a boy. There, she meets a student, Liang Shanbo, with whom she becomes good friends. They go to school together for the following years, and Zhu gradually falls in love with Liang.
1954-08-25 | zh
5.6
The film follows the life story of Johann Augustus Suter, the owner of Sutter's Mill, famous as the birthplace of the great California Gold Rush of 1848.
1936-07-20 | de
5.0
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
1955-02-16 | sh
6.8
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
2013-06-21 | it
6.0
Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.
2006-11-26 | xx
0.0
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.
1980-03-29 | it
0.0
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.
1994-01-01 | en