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An average working man who is alone in a world of deception finds himself in a marriage of convenience.
$150
$0
16 min
2019-11-24
Released
English
0
0
6.3
In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.
1992-09-11 | en
6.3
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
1966-01-01 | sh
7.2
An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.
1967-07-11 | sh
7.0
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
2016-11-20 | fr
0.0
Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.
1998-09-01 | en
7.0
It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.
2021-04-09 | xx
10.0
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
2021-03-29 | en
7.0
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.
1995-05-09 | ru
0.0
A 3-actor chamber piece chronicling a relationship in disruption, told from 3 different perspectives. Kay and Dee are husband and wife, and cracks are beginning to show in their marriage. They both feel misunderstood and unappreciated. Soon, a major disruption happens that drives them to discuss divorce.
2018-12-01 | id
6.6
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
2002-05-15 | en
4.6
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
1953-04-01 | en
5.7
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
1966-09-01 | en
4.2
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
1967-12-30 | en
5.5
1 minute experimental film.
2017-02-11 | en
9.0
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
1963-11-03 | ja
5.5
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2017-03-09 | en
0.0
A record in moving images of a timeless dimension, the tragedy takes place in a dark void where the voiceless ones enact their drama in a theatre of infatuation, power and vengeance. The force of the roar reverberates as insanity erupts from total stillness, free of dialogue. An atmosphere of total darkness envelops every single particle and atom, external and internal, in dreams and in the heart. This film is adapted from the Thai folk tale of Gagee, a maiden so enchanting and fragrant as a flower, so irresistible that all who gaze upon her fall under her spell. They vie with each other to possess her, leading to war. This ancient legend has been reimagined and retold by new characters as a silent, surreal movie.
2019-06-15 | th
4.1
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
1965-02-07 | en
4.5
“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas
2004-01-01 | en
7.1
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
1987-07-15 | en