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Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
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35 min
2005-07-26
Released
Italian
0
0
Himself
Himself
Himself
Himself
Himself
6.0
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
2013-03-02 | es
7.0
Documentary about Giger's work for the movie Alien (1979).
1979-05-25 | en
6.7
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
7.7
Director Dan Farah got 34 senior members of the U.S. Government, military, and intelligence community to come on camera. He says they reveal an 80 year cover-up of the existence of non-human intelligent life and a secret war amongst major nations to reverse engineer technology of non-human origin. The film explores the profound impact the situation has on the future of humanity, while providing a look behind-the-scenes with those at the forefront of the bi-partisan disclosure effort.
2025-11-21 | en
0.0
2002-11-30 | en
7.0
"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.
1984-01-01 | fr
0.0
Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.
1977-09-07 | en
7.1
The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick's devoted right-hand man.
2018-05-11 | en
7.5
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
2005-08-12 | en
0.0
Tian Soepangat joins the U.S. Navy out of a commitment to helping others. As a Muslim, Tian is uncertain of his shipmates' attitudes toward his religion, and so he hides it. Eventually discovering he doesn't have to hide his faith, he is free to express pride in his heritage.
2015-04-01 | en
6.6
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
1969-01-02 | en
0.0
This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
2015-01-01 | en
7.5
To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
2017-04-07 | en
5.6
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.
1966-03-31 | fa
0.0
A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
2019-10-19 | pt
7.1
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
7.1
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896-06-30 | fr
0.0
Evangelist Bob Larson sits down with Zeena and Nickolas and tries to talk some good old fashioned religion into 'em, but they'll have none of it.
1990-01-01 | en
6.0
2016-12-11 | it
0.0
Short documentary directed by Günter Schlesinger
1965-01-01 | de