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"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
$0
$0
11 min
1971-01-26
Released
Italian
3
7.3
6.8
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
1930-05-28 | fr
0.0
Behind The Jugular is a short animated documentary, featuring an ex-abattoir worker describing his experiences within the slaughterhouse. The film gives a raw account of the restricted and often ignored industry, intended to prompt the audience to consider, and reconsider, their ethical beliefs and values, and how they implement these morals in life.
2021-01-01 | en
6.1
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
2010-10-08 | en
6.6
Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
1972-02-01 | de
0.0
Frank Zappa: New York & Elsewhere is an Austrian released TV documentary directed in 1980 by Rudi Dolezal and Hannes Rossacher, aka DoRo productions, who are most popular for their work with Queen.
1980-06-01 | en
6.0
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
2021-11-21 | en
6.2
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.
1931-01-01 | fr
7.0
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
1968-10-28 | en
0.0
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
2021-10-14 | es
0.0
A young man recalls different moments of his life, reflecting the preservation of memory, the enigma of time and the inevitability of death
2022-07-21 | en
6.5
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
1989-09-17 | ru
0.0
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
2023-05-27 | en
5.5
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT
1963-04-23 | fr
4.8
Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.
1991-04-19 | en
7.0
Profile of the late iconoclastic director Curtis Harrington, featuring images from many of his poetic and haunting films.
2009-01-01 | en
7.0
A deconstruction of Dog Star Man that takes the four rolls and shows them first combined, then each combination of three rolls, then each combination of two rolls, then each individual roll. The plot is of a man who goes up a mountain with a dog to chop down a tree but has some unspecified transcendental experience while he is there.
1965-05-20 | en
6.9
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.
2012-03-08 | en
0.0
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
2023-03-13 | en
0.0
A documentary on electronic music made using "bio-feedback" devices and techniques.
2020-04-03 | en
5.5
Concerned with processes of assembly, CHOIR brings together disparate bodies of material and archival technologies into dissonant concert. It is a work of several parts. Part one constructs an auditorium in which an action will be staged. Part two assembles the chorus to narrate the action. Part three supplies the action.
2012-10-02 | en