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An old 35mm film projector was entirely disassembled, a mould was made of every part, a bronze copy was then created and the bronze parts were subsequently assembled. The whole process was filmed, to then be projected by the new, bronze projector. The observation that a projector projects the process of its own creation goes beyond a purely conceptual statement. This project is simultaneously an ode to craftsmanship and to how that changed radically over the course of the 20th century. The precise type of projector, the Iskra NP-21, also calls a complete history to mind, as Iskra was as omnipresent in Tito’s post-war Yugoslavia as Bosch and Miele in the West. In this manner, what is perhaps the very last, ultimate 35mm projector simultaneously becomes the first fully-fledged monument to a culturally supremely important device.
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17 min
2017-01-01
Released
English
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7.0
Oscar, a digital hipster, dives into the fantastic world of analogue loving projectionists. It’s not as easy as it might seems, one may even get hurt! The documentary is about the dying culture of 70mm material and the last mohykans, who aren’t afraid of fighting for their beloved film copies and feed the hungry old projectors with them.
2015-01-01 | cs
7.5
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
1994-03-09 | fr
7.4
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
1960-05-16 | en
5.2
An evening at the local movie theater, including a sing-along led by Maestro Stickoutski at the Mighty Fertilizer organ, a Goofy-Tone newsreel, and the feature, Petrified Florist, featuring caricatures of Bette Davis and Leslie Howard.
1937-04-09 | en
0.0
The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.
2004-07-04 | fr
0.0
The British ITV channel specially broadcasts Tom Daley's latest documentary, looking back on Daley's training and life in the four years since the last Olympic Games. This is also the first time he and his fiance and Oscar winner Dustin Lance Black have framed a documentary. The two looked back on the process of meeting and falling in love, the ins and outs of Daly's difficult decision to come out, and how he returned to the platform now is all the credit of Lance. The engagement of the two was blessed by the family and the whole team, and all kinds of loving interactions were sweet and touching. And Daley's latest jumping method "Fireworks", which incorporates traditional Russian acrobatics, also appeared in the documentary. Hope to see this different firework at the 2016 Rio Olympics.
2012-07-23 | en
5.0
A documentary that restores to the world, five hundred years after his death, the universal and sensitive genius of one of the greatest artists of the Italian Renaissance: Raphael Sanzio. Guided by the art historian Luca Tomìo, we decided to start our journey from the Renaissance atmosphere of Raphael’s birthplace, the Duchy of Urbino, to retrace, from the very beginning, Raphael's artistic education. From a young age, he found himself confronted with giants of the Renaissance art such as Piero della Francesca and Antonio del Pollaiolo, in the workshop of his father Giovanni Santi, also an excellent painter of the Urbino court.
2021-03-18 | it
0.0
"Stone-White Man" is an epic documentary in compact form which tells the life story of Viennese artist Richard Erdoes. Erdoes has chronicled the lives and resistance of Native Americans in the United States since the 1950s.
1998-01-01 | de
0.0
Their ethnic roots are different and they are neither blond nor thin; this a cappella ensemble is their own creation. Three powerfully voiced singers and their pianist tour Austria and Germany, performing a program of soul and gospel. Trendy cafés and village church, everyday life as a musician and survival away from the international charts.
2000-01-01 | de
0.0
With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.
2007-04-10 | en
0.0
While undergoing treatment himself, comedian Rhod Gilbert goes on a frank, revealing, and frequently funny journey into the world of male infertility. Rhod also meets a man whose wife had eight years of treatment before they discovered that he was the one with the fertility issues.
2021-01-25 | en
0.0
David Seltzer knows Hollywood. He knows the business, the tricks of the trade and all the hidden truths. He's got the stories from working with Jacques Cousteau, penning the horror classic The Omen and adapting Roald Dahl's Willy Wonka and the Chocolate Factory. He can tell you why writing is like love-making and why there is no such thing as fiction. His advice about directing? Wear comfortable shoes. In this interview, you'll learn that and more, including what recent screenplay is the most elegant he has ever heard spoken on-screen and why you don't win arguments with movie stars.
2007-06-21 | en
0.0
Simon Kinberg recently burst onto the scene with his script for XXX: State of the Union, and has since worked on comic-to-film adaptations for Elektra and Fantastic Four and penned the third film in the X-Men series, X-Men: The Last Stand. Kinberg's breakthrough hit, Mr. and Mrs. Smith, began as a script that he wrote in college and became one of the top grossing movies of 2005.
2007-06-21 | en
0.0
The "Mutoid Waste Company" is a group of English travellers who have created an alternative lifestyle for themselves as modern nomads. This film portrays their performance in Vienna.
1998-01-01 | de
0.0
Susannah Grant received an Oscar nomination for her screenplay for Erin Brockovich, an inspirational story based on the life of a working-class heroine. After her nomination, she went on to adapt In Her Shoes and Charlotte's Web, as well as write and direct Catch and Release. Here, Grant goes into the midwife vs. mother role of novel adaptations, the importance of finding your voice and why sometimes you just have to be able to really, really suck.
2007-04-10 | en
0.0
Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.
2007-06-21 | en
0.0
2008-01-01 | it
0.0
NIA VARDALOS was nominated for the Academy Award® and the Writers Guild Award in 2003 for her breakthrough screenplay My Big Fat Greek Wedding, which was based on her one-woman play. The film became the highest-grossing independent feature and turned her in to an overnight success, spawning a follow-up sitcom and a cemented spot among Hollywood s elite writers. Listen as she talks candidly about her favorite laugh, tapping into her inner guy, and why her take on the hardest part of screenwriting just might make you blush.
2007-02-15 | en
0.0
Jeff Nathanson is easily among the A-list of Hollywood screenwriters, His script for Catch Me If You Can earned him much critical praise, as well as the devotion of Steven Spielberg, who also brought him to work on his next movie, The Terminal. Nathanson has also collaborated with Jan de Bont on Twister and Speed 2: Cruise Control and with Brett Ratner on the Rush Hour films. In this interview, learn more about why he dreads pitching, never speaks during a notes meeting, and finds he can do almost all his research with the Internet and old Playboys.
2007-08-22 | en
0.0
Hamburg wrote and directed the crime comedy Safe Men, which played at Sundance and spawned a devoted cult following. A sure-thing comedy closer, the New York City native built hilarious set pieces and character work into Meet the Parents, Zoolander, and Meet the Fockers that not only helped lift them to huge box office but also pushed a few new catchphrases into the American lexicon. A veteran of the uncredited production rewrite, Hamburg also wrote and directed the romantic comedy Along Came Polly in 2004. In this amusing interview, Hamburg discusses how he developed his talent for writing actor-hooking dialogue in the humorous monologues he performed in college, why he'd do a thousand test screenings if he could, and what it's like to hand a new scene to Robert De Niro and stand there waiting to see if he likes it.
2006-10-20 | en