Loading
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
$0
$0
19 min
2003-11-18
Released
English
2
6
Self - Filmmaker
Self - Actress
Self - Filmmaker
Self - Filmmaker
Self - Actor
Self - Writer
Self - Filmmaker
Self (archive footage)
Self (archive footage)
0.0
A trip on the Swedish lake Mälaren by a 115-year-old steamboat. The journey between Stockholm and Mariefred takes 3,5 hours. The steamboat Mariefred was manufactured over a hundred years ago and is one of the last steam-powered vessels on the lake. The steam whistle sounds when Maja, as she is called in Mariefred, steers into the bay towards the small town. A fanfare for the summer!
2018-06-17 | sv
6.5
An in-depth look at the making of ‘The Message’, featuring interviews with key figures such as Moustapha Akkad, the film's producer, who shares his personal connection to the project. The documentary covers various aspects of the production, including the construction of the massive historical Mecca set, the creation of costumes, and the challenges of shooting in the desert. It also discusses the decision to shoot the film in two different languages (Arabic and English) and the unique issues that arose from this choice.
1976-01-01 | en
6.5
According to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.
1976-06-14 | hu
7.0
A example of Jean Renoir's talents as a director as he works Gisèle Braunberger into the right frame of mind.
1969-09-14 | fr
8.0
Behind the scenes documentary about the making of the game Hitman: Absolution.
2012-11-20 | en
6.1
Filmed on the 100th anniversary of the labour union laws in France, the quasi-science fiction film is set in 2084. A robot moderator helps us look 'back' at the contemporary labour situation and different directions the movement could take.
1984-10-01 | fr
6.5
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.
1982-01-19 | fr
5.7
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.
1983-04-01 | hy
6.1
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.
1992-01-01 | hy
7.4
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.
2012-10-30 | en
6.2
A 10 minute long journey of emotions that befall children faces. Fear, Curiosity; a Smile. They all sit in a dark theater. What they see, we don't; we can only guess from their faces.
1978-05-11 | xx
3.9
In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.
1984-01-01 | xx
5.9
By showing a series of different-coloured objects, the film aims to familiarize very young children with the various colours.
1976-08-30 | fa
6.7
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
2003-05-06 | en
5.8
A documentary about the Armenian avant-garde filmmaker, Artavazd Pelešjan.
2011-09-05 | it
8.6
The making of 'Enter the Dragon'.
2004-11-28 | en
6.0
The lion dance in traditional Japanese theatre.
1936-06-28 | ja
5.2
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
1966-01-01 | fr
3.3
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
1966-03-10 | en
1.0
Tessa Hughes-Freeland’s “Baby Doll” is a tiny slice of cinéma vérité from 1982 about the girls working the now defunct Baby Doll Lounge on Church and White St. in downtown Manhattan. It captures a moment before NYC got sanitized.
1982-01-07 | en