The Makropulos Affair

8.3

Sarah Brightman: The Harem World Tour - Live From Las Vegas

Renowned vocalist Sarah Brightman performs more than 20 songs before a packed house at Las Vegas' MGM Grand Arena in this concert film from Angel Records. The set list includes such tunes as "Who Wants to Live Forever," "Stranger in Paradise," "What a Wonderful World," "A Whiter Shade of Pale," and "Wishing You Were Somehow Here Again."

2004-10-19 | en

6.3

Slayer: War at the Warfield

Filmed at the Warfield Theatre in San Francisco, California on December 7, 2001, War at the Warfield would become Slayer's first music DVD. Originally set for release on February 13, 2003, it was delayed several times, due to unspecified "production issues". War at the Warfield peaked at number 3 on the Billboard DVD chart with sales of 7,000.

2003-06-17 | en

0.0

Whisper to be Heard

A group of musicians who have never met get together for a week to live in a mansion to write an album, record it in a studio, and perform it at a Masquerade Ball.

2020-04-16 | en

8.2

Iron Maiden: Live After Death

Filmed and recorded towards the tail end of 'The World Slavery Tour' over a record breaking four sold out nights at Los Angeles' 13,200 capacity Long Beach Arena. Featuring tracks from their first five albums.

1985-10-23 | en

6.8

Phil Collins at the BBC

The sound of Phil Collins is in the air tonight as we take a trip through the BBC archives with the man who, against all odds, went from being the drummer in Genesis to one of the biggest solo performers of the 1980s and '90s. This collection features Phil's performances on a range of BBC shows, from Top of the Pops to Parkinson and The Two Ronnies, including such hits as You Can't Hurry Love, A Groovy Kind of Love, One More Night, I Missed Again and Two Hearts.

2021-06-12 | en

8.0

Joan of Arc at the Stake

On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.

2012-11-17 | fr

4.0

Verdi La Traviata

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

1992-08-14 | en

0.0

Mefistofele

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

2016-01-01 | en

0.0

Narodil sa chrobáčik

In the magical world of dancing fireflies, we follow the story of the main character - naughty Svätojanek, which takes place against the backdrop of the changing seasons. Little episodes from the life of the industrious little bugs, set in the endless cycle of nature, are arranged in dancing images that carry a strong ethical message.

2021-05-30 | sk

7.2

ABBA: In Concert

ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.

1979-12-31 | en

6.0

Rameau Hippolyte et Aricie

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

2014-02-26 | en

0.0

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

2018-06-01 | en

0.0

Berg: Wozzeck

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

2018-01-11 | en

0.0

Alban Berg - Wozzeck

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

2016-01-01 | de

8.0

blur at the BBC

Over the years, Damon, Graham, Alex and Dave have helped to change the face of British music, constantly evolving and leaving musical rivals in their wake. This collection of blur’s greatest performances on the BBC delivers all the hits and more, capturing the band’s crowd-pleasing side through fan favourites like Country House, Parklife, and Girls and Boys, as well as their more sensitive and soulful side with tracks including Coffee + TV, Beetlebum, Tender and Out of Time.

2023-07-29 | en

0.0

John Adams: The Gospel According to the Other Mary

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.

2017-01-28 | en

0.0

The Bleeding Nun

This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!

2019-09-04 | en

10.0

Mose in Egitto

This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).

2012-11-07 | en

0.0

Turandot

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.

2015-05-01 | en

10.0

Rigoletto

A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.

1977-11-07 | it

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