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A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
$0
$0
26 min
1993-05-31
Released
Bosnian
0
0
0.0
2019-06-24 | sv
6.2
2016-05-05 | es
0.0
Documentary on oil exploration, the phase before drilling.
1954-08-31 | nl
5.0
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
2002-03-05 | en
0.0
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
2023-12-01 | en
6.0
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
1968-08-26 | fr
0.0
In this documentary film, Malas explores the life and music of the classical Aleppan singer and composer Sabri Moudallal (1918-2006). "Maqam" is the melodic system of traditional Arabic music.
1998-01-06 | ar
8.2
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
1959-04-27 | fr
8.0
2016-10-05 | fr
6.0
Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.
1979-01-08 | fa
5.3
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976-01-01 | fr
5.9
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
1980-10-01 | ru
9.5
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
1991-07-19 | en
8.5
"‘F1: How it was’ is a thrilling, action-packed, insightful documentary into some of the sport’s finest races, despite the lack of budget or theme, Duke Video deliver on providing fans with an entertaining documentary that would make the perfect gift this Christmas." - Joshua Suttill, www.readmotorsport.com
2016-10-31 | en
6.0
The retirement movie for adult film actress Ai Uehara, directed by Katsuyuki Hirano. A big fan of Ai Uehara have to go on a 100-kilometer marathon to have sex with her.
2016-04-09 | ja
6.1
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
1964-01-01 | fr
7.0
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
2019-04-27 | ar
7.3
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1953-01-01 | en
7.0
Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.
2014-06-11 | es
7.0
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.
1966-11-01 | fr