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A journey through the professional life of innovative film director Richard Linklater: 21 years creating films, carving his signature in pop culture; an analysis of his style and motivations, through the funny and moving testimonies of close friends and collaborators, actors and other filmmakers.
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79 min
2014-11-07
Released
English
36
6.2
Self - Actor
Self - Newspaper Editor
Self - Actress
Self - Actor
Self - Actor
Self - Actor
Self - Actress
Self - Actor
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Self - AFS Member
Self - Actress
Self - Filmmaker
Self - Filmmaker
Self - Actor
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Self - Actor
Self - Actor
Self - Filmmaker
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Self - Filmmaker
Self - Filmmaker (archive footage)
6.0
Documentary analysis of French director Jacques Tati's 1949 film "Jour de fete". Goudet tracks the evolution of Tati’s comedy stylings, from their origins in the short films where he first appeared through his ambitious feature productions.
2013-01-01 | fr
0.0
Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".
1988-02-28 | fr
9.5
Documentary on the making of the 2008 Italian film "Gomorrah".
2008-06-05 | it
0.0
In a series of four documentaries, Marcel Ophuls pays tribute to his father Max, and in this last one discusses his role as an assistant director on "Lola Montès".
2009-10-27 | fr
0.0
Interview with director Louis Malle conducted by Wallace Shawn, produced for the BBC-TV programme "Arena".
1984-05-06 | en
4.5
Documentary tracing the filmmaker’s work in Poland, from his days as a student through The Double Life of Véronique.
2005-01-01 | fr
7.2
Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.
2019-08-13 | en
6.8
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
2001-05-01 | en
6.3
A documentary about the making of 1976's "Obsession" featuring interviews with director Brian De Palma, stars Cliff Robertson and Genevieve Bujold and more.
2001-06-26 | en
7.4
An unflinching and deeply personal journey into the life and work of guitarist Eric Clapton told through his own words and songs.
2018-03-30 | en
7.8
Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.
2019-09-01 | en
6.0
Documentary - After starting his career producing religious film shorts, J. Arthur Rank went on to become Britain's first and only movie mogul with his establishment of the legendary Pinewood Studios. Narrated by Michael Caine, THE GOLDEN GONG chronicles Pinewood's rise to success. - Richard Attenborough, Dirk Bogarde, Betty E. Box
1985-01-01 | en
5.5
Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.
2005-11-14 | fr
6.8
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
2008-04-04 | en
5.3
The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.
2020-03-21 | it
0.0
The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
2018-02-18 | de
0.0
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
2003-02-08 | de
6.9
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
2003-11-07 | da
0.0
Documentary about the making of the film Salò by Pier Paolo Pasolini
2008-01-01 | it
6.0
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
2007-04-09 | es