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A toy soldier, distracted by a beautiful ice skater, is derelict in his duty and gets discharged. Later, when the screwball army declares war, he lucks into a chance to redeem himself. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.
$0
$0
10 min
1941-12-26
Released
English
4
6.5
0.0
Gore's second solo film, DREAM OF THE SPHINX is highly representative of his fluid, expressive line work and characteristic traversals through space. Preserved by the Academy Film Archive in partnership with CalArts and iotaCenter in 2009.
1971-01-01 | en
0.0
A collaborative piece by Gore and Beckett, the film begins with one of Gore's characters composing a letter, to eventual mail it. Beckett's animation takes over at this point, transforming the envelope into a looping, cascading form that seems to be perpetually turning itself inside out. A brief Gore finale bookends the piece, which is one of only two extant examples of Gore's unique animation work. This film is usually appended to Gore's own Dream of the Sphinx. [Source: Mark Toscano] Preserved by the Academy Film Archive in partnership with CalArts in 2009.
1970-01-01 | en
5.0
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
1976-01-01 | en
6.4
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
1969-07-10 | en
6.0
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
1945-01-01 | en
5.9
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
1991-01-01 | xx
0.0
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
1972-09-01 | en
0.0
“[T]he sense of moving forward [in space or time] alternates with a sense of expansion and contraction, as the finished cycle [of movement] returns to itself and rushes to catch up with its successor.” (Gadassik) Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
1974-09-01 | en
0.0
An abstract animation. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
1975-01-01 | en
0.0
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
1979-12-17 | en
6.0
Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs… Preserved by the Academy Film Archive in 2009.
1982-10-01 | en
4.6
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
1944-05-15 | xx
7.5
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
1990-05-18 | en
7.8
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
1993-12-17 | en
7.6
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
1996-03-07 | en
5.0
Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs. Preserved by the Academy Film Archive in 2001.
1957-07-07 | en
4.5
An animated comedy short from the 1920s. Preserved by the Academy Film Archive in 2008.
1921-07-02 | en
6.2
An intoxicated man trespasses into an art gallery after hours.
1974-10-01 | en
6.4
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
2004-10-14 | en
6.0
NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film/video hybrid that points fun at romance, sexuality, and love in our post-industrial age. Preserved by the Academy Film Archive in 2017.
1987-01-01 | en