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Carnaby Street Undressed is a story of fashion, music and eye opening insights into London's Carnaby Street in its 1960s heyday, told by the owners of the fashion shops that defined the iconic Street, and the popular musicians who were part of the “the scene”. This includes The Who lead sing Roger Daltrey, Donovan, Frank Allen from the Searchers, Gary Leeds from The Walker Brothers, and Peter Noone from Herman’s Hermits. The film is the story of a generation that rebelled against the grey conformity of the 1950s with a cultural revolution emanating from Carnaby Street from where it spread across the globe changing fashion and music forever.
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90 min
2011-09-17
Released
English
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Self - Lady Jane
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Self - I was Lord Kitcherner's Valet
Self - Gera
Self - Gear
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Self - Immediate Records
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10.0
Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.
2002-08-10 | en
7.1
The vivid and inspiring story of British film icon Michael Caine's personal journey through 1960s swinging London.
2017-10-08 | en
7.4
An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.
2013-11-04 | en
0.0
Join the cool kids on the Kings Road and Carnaby Street as youth fashion brings a welcome splash of colour to Britain. “Don't take it too seriously, or you'll be missing the point!”
1967-01-01 | en
0.0
Swinging London - a phenomenon which emphasized the young, the new and the modern. Fashion, music, art, media, life style and attitude. An era of optimism, and hedonism. A cultural revolution.
1968-04-23 | en
7.3
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
1966-12-18 | en
6.7
The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
1965-08-03 | en
7.0
London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
1971-03-25 | en
4.8
Teenagers gathered in an old mansion are being murdered one by one. The survivors must discover who among them is the killer before he finishes off everybody.
1969-07-15 | en
5.3
Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane's mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer's men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane's brother, can help them to solve the case. But Jane doesn't know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?
1967-11-16 | it
4.0
A dreamy Australian singer comes to London to seek his fortune and falls for a down-to-earth lass and a high-strung debutante at the same time.
1965-12-21 | en
6.2
A pretty young woman will do anything to escape her deadly dull existence in the backlots of Wales. But when she reaches the bright lights of London is the price too high?
1963-03-08 | en
0.0
In April 1966, Cilla opened in a 3-week cabaret season at London’s Savoy Hotel. On her final Sunday, she starred in her own television special produced by her manager Brian Epstein’s film company, Subafilms. It was the first colour television show of its kind to be made by an independent producer in Britain. The show was broadcast in the UK in black & white but aired in colour in The Netherlands and the USA. ‘Cilla at the Savoy’ was one of the most watched television specials of the 1960s.
1966-07-06 | en
6.7
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
1938-06-02 | de
6.7
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
0.0
The unauthorized video documentary
1991-03-07 | en
7.3
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
2014-02-10 | en
6.2
Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.
2013-01-01 | pt
0.0
One of the greatest comedians of early television, Sid Caesar hasn't had his work shown in perennial reruns, so it's especially gratifying to see a collection of his classic sketches released on video, with Caesar himself introducing the material. Besides being a truly gifted comic, Caesar benefited from having some brilliant supporting players, including Carl Reiner, Imogene Coca, and Nanette Fabray. Some of his illustrious writers, including Neil Simon, Woody Allen, and Mel Brooks, appear in interviews setting up the sketches. The sketches themselves include some all-time classics such as Caesar and company playing the figurines populating a medieval town clock (a brilliant bit partly written by Neil Simon and his brother, Danny, who reminisce after the sketch).
2000-06-20 | en
5.8
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
2007-02-10 | de