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Produced in an era before 24-hour programming cycles, Video 50 was initially used as a late night filler on TV stations in Germany, France, Belgium, and Switzerland. Random, surreal, and unexpected, Video 50 resembles the dream cycle of a dormant TV station after it conscious programming has ceased. Its structure and form anticipate the dissociated sequence of moving images we are now accustomed to encountering on YouTube and social media.
$0
$0
51 min
1978-02-02
Released
English
2
5
10.0
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
2023-03-02 | es
7.3
Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.
1966-12-30 | cs
5.8
Nammal is another campus movie from Kamal after Niram. What is different this time is Kamal introduces new faces Siddharth and Jishnu. Kamal provides glimpses of the new campus with adventure in his movie with these debutants. Snehalatha (Suhasini) takes charge as the Principal in a college where Shyam (Siddharth) and Sivan (Jishnu) are the heroes. Shyam and Sivan are fun filled characters as well as naughty. Aparna (Renuka Menon) is teased and ragged by the duo, who happens to be the daughter of Principal's friend. Aparna complaints and Snehalatha takes action against Shyam and Shivan. Soon to her surpurise she discovers that Shyam and Shivan are orphans, hardworking and their guardian is a priest (Balachandra Menon).
2002-12-20 | ml
5.3
Life for a struggling college student changes in an instant when he meets the owner of a male strip club who convinces him to give amateur night a whirl.
2015-05-22 | en
7.5
Ibraham the industrious student fall in love with his colleague Khayriyah and she also fall in love with him, but the rich student Hani admire her. Ibrahim is trying to hide his social level because he is afraid to lose Khayriyah, and telling everybody that he is from a wealthy family, will Khayriyah find the truth someday ?.
1981-07-13 | ar
6.2
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.
1971-01-01 | sh
3.0
Lovely Pinky Malhotra is a heart-breaker in the college where she studies, and has a number of young men who would lay down their lives for her. Amongst them are Sunil and Vicky. She is attracted to Sunil, and both carry on a romantic relationship, hoping to get married after finishing college. Before that could happen, Pinky finds out that Sunil has been two-timing her as he is already dating another young collegian. Angered and hurt at this, she decides she will have nothing to do with him, and starts her romance with Vicky. Sunil, who does not know what has transpired, wants to talk to Pinky with a view of rekindling their romance, but Pinky refuses to speak with him. The question remains is Sunil really in love with another girl, and if so, why did he take the trouble to woo Pinky?
1992-01-30 | hi
0.0
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
2022-09-30 | en
0.0
In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.
2023-07-30 | pt
10.0
Left on her own after being ditched by her group, Kiara — a young film student — must complete a demanding university project while spiraling into a creative and emotional breakdown.
2025-06-13 | es
0.0
A visceral journey through dysphoria in the internet age.
2025-02-07 | en
0.0
The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.
2023-12-07 | en
0.0
A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.
1973-03-17 | en
8.0
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.
1981-01-01 | en
0.0
You Are Here draws on a rich archive of movies set in New York, combining thousands of cinematic moments across 16 screens. Sources include Hollywood blockbusters, independent films, documentaries, and experimental works. By juxtaposing these multiple visions, the dazzling montages of You Are Here make connections and contrasts that allow movies to comment on each other across time and space. Together, they shed new light on the varied New Yorks of our collective imagination.
2023-05-26 | en
9.0
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
2023-01-30 | pt
0.0
a sentimental audiovisual collage from december 2023
| en
7.7
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
1973-01-01 | en
0.0
Made using footage from USA Olympics in Los Angeles 1984 and snippets of Alistair Cooke's America: A Personal History of the United States. The footage was combined at Goldsmith's Art Department using an unusual Grass Valley mixer that had oscillating wipes which created the signature colours and wiggly lines. (Modern Art Oxford) Barber was always the most polished of the Scratch video artists, and Tilt shows his ability to make seductive, easy-viewing pieces, while maintaining a subversive undercurrent.
1984-01-01 | en
0.0
The climactic scene of John Huston's Key Largo is fused with John Cage's 4'33", all dialogue is stripped away to reveal a cinema of movement, glances and inadvertent comedy.
2012-03-01 | en