Loading
A tour of the Metro-Goldwyn-Mayer Studio in 1925 shows the people who make the movies there, and gives viewers a glimpse at how movies are made.
$0
$0
32 min
1925-04-09
Released
English
16
6.125
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self (uncredited)
Self (uncredited)
7.5
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
1927-09-23 | de
7.1
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
1922-06-11 | en
4.5
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)
1898-08-02 | az
6.4
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys a sense of the bridge’s structure, its intricate mechanisms and ways of operating, the way it fits into the overall transport infrastructure and therefore the immense importance of this bridge for the whole city of Rotterdam.
1928-05-04 | nl
5.2
Sailors row a whaling boat in a medium-tight shot.
1900-12-15 | en
4.3
Two lines of workers, pulling a steamroller, somewhere in the streets of Saigon, Vietnam (nowadays, Ho Chi Minh City).
1897-09-26 | fr
4.4
A horse-drawn carriage stops in front of a villa. The residents greet the newcomers, as the coach driver unloads baggages.
1896-05-27 | fr
5.3
A Japanese family having tea.
1897-01-09 | fr
5.0
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
1911-01-01 | en
5.1
Early water rollercoaster-type ride.
1897-05-01 | fr
4.5
A regiment of soldiers demonstrate their skills.
1897-06-06 | en
3.8
The Holy Sepulcher in Jerusalem.
1897-04-27 | fr
4.6
People board a leisure ship while porters ship their luggage in the town of Évian-les-Bains.
1896-08-16 | fr
4.7
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
1896-01-06 | en
3.7
Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”
1908-08-14 | en
4.0
Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.
1900-08-08 | en
5.3
Down the gangway, photographers leave the deck of a riverboat in large numbers.
1895-06-12 | fr
6.8
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.
2006-05-31 | en
6.0
Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.
1904-01-16 | en
5.7
A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.
1899-05-20 | fr