Loading
A collection of Yale references from more than 200 films going back nearly 100 years.
$0
$0
0 min
2025-04-25
Released
English
0
0
0.0
Two years in labor relations at Yale University in New Haven, Connecticut, during the decade of the 1990s.
1999-09-24 | en
0.0
“Fresh Start: A Marcus Harvin Story” presents an intimate portrayal of Marcus Harvin’s journey as he transcends his past to make a profound impact on the lives of those around him. The documentary offers a rare glimpse into Marcus’s daily life, capturing his heartfelt mission to share not only food but also compassion through his innovative non-profit organization, Fresh Start. Through candid interviews with key figures in Marcus’s life, including Stephanie Harvin, Babatunde Akinjobi, and Bradley Woodworth, the film illuminates Marcus’s unwavering determination and the vital support system that has helped him achieve his dreams. Viewers are invited to follow Marcus for a day, witnessing his dream project in action—an extraordinary restaurant concept where the only payment required is one’s presence.
2024-06-30 | en
0.0
The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.
| en
0.0
A bride who discovers during her wedding ceremony that her husband-to-be has fathered a child out of wedlock with another woman.
1915-05-13 | en
7.0
A pretty young socialite falls for a charming but shady hustler, who abandons her when he finds that she has been disowned by her wealthy father. Three of the hustler's partners, who have also been left high and dry by heir former associate, come up with a plan to get her to the annual Yale-Harvard football game to reunite with her former sweetheart, an honest but nerdy bookworm.
1935-04-27 | en
5.5
After his rich father refuses to pay his debt, compulsive gambler Lawrence Bourne III joins the Peace Corps to evade angry creditors. In Thailand, he is assigned to build a bridge for the local villagers with the help of American-As-Apple-Pie WSU Grad Tom Tuttle and the beautiful and down-to earth Beth Wexler. What they don't realize is that the bridge is coveted by the U.S. Army, a local Communist force, and a powerful drug lord. Together with the help of At Toon, the only English speaking native, they must fight off the three opposing forces and find out what is right for the villagers, as well as themselves.
1985-08-16 | en
6.8
An underprivileged, gifted young black man from Newark reaches Yale University, only for shadows and injustices from his past to threaten his future.
2024-08-02 | en
6.1
Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. The hillbilly farmhand's ability to throw melons enables him to become their star passing ace.
1936-10-23 | en
0.0
Jerry Chandler falls for the lovely Mimi Le Brun and she with him. He proposes marriage but Mimi wants money and security which he cannot provide so she becomes engaged to a wealthy man whom she does not love. When Jerry’s uncle dies leaving him a ranch and what is said to be a castle Mimi changes her tune and the pair elope. Disillusionment comes though when they see the shack that was called a castle, but Mimi accepts the situation until the rejected wealthy man appears on the scene. Conflicts arise until an accident befalls Jerry and Mimi realizes her true feelings.
1925-10-18 | en
3.4
A girl goes to Harvard and joins the debate team. She has to deal with a ton of issues, from boyfriends, to ethnicity, to religion, to sexual assault.
2006-06-13 | en
6.7
An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.
2020-11-09 | en
3.9
Harvard senior Sam Thatcher and his best friend and roommate, known as "The Lippencott", plan to go to Russia after graduation, a decision Sam has kept from his girlfriend, Alexandra Benson.
1938-11-11 | en
3.5
Comedy about a weak husband, afraid to say "no" to his new wife, who realizes he must assert himself to save his marriage.
1938-03-12 | en
6.7
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
1938-06-02 | de
6.7
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
0.0
The unauthorized video documentary
1991-03-07 | en
7.3
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
2014-02-10 | en
6.2
Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.
2013-01-01 | pt
0.0
One of the greatest comedians of early television, Sid Caesar hasn't had his work shown in perennial reruns, so it's especially gratifying to see a collection of his classic sketches released on video, with Caesar himself introducing the material. Besides being a truly gifted comic, Caesar benefited from having some brilliant supporting players, including Carl Reiner, Imogene Coca, and Nanette Fabray. Some of his illustrious writers, including Neil Simon, Woody Allen, and Mel Brooks, appear in interviews setting up the sketches. The sketches themselves include some all-time classics such as Caesar and company playing the figurines populating a medieval town clock (a brilliant bit partly written by Neil Simon and his brother, Danny, who reminisce after the sketch).
2000-06-20 | en
5.8
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
2007-02-10 | de