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A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
$0
$0
45 min
1969-01-23
Released
English
0
0
5.2
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
1969-05-29 | it
6.3
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
1961-05-03 | en
9.0
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
1969-09-09 | en
0.0
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
1968-09-09 | en
6.6
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
1964-09-20 | en
4.2
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
1970-03-21 | en
0.0
1968-01-01 | fr
0.0
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
1959-01-01 | en
8.0
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
2021-05-20 | en
0.0
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
2013-07-19 | fr
3.0
Bandit chief Chu Luixiang is the main character of eight wuxia novels written by late legend Gu Long. Many cult films rom Hongkong have been based on the history of his adventures (Clans of Intrigue, Legend of the Bat, Perils of the Sentimental Swordsman, Legend of the Liquid Sword etc) In Wei Dong’s movie we will learn about the early years of the newcomer Chu who aspires to become a "thief" and inadvertently befriends Mu Qianyu, the new master of the Divine Water Palace, who is dressed as a man.
2021-03-17 | zh
1.0
Two men connect more than just sexually, when a Scruff hook-up has them meeting in a park in the middle of a hot summer's night.
2021-03-13 | en
0.0
2021-03-18 | pt
0.0
Mille Soya, is a film depicting a dangerous and hazardous journey by a young Sri Lankan group to rich Europe. They are subject to deceptions by the intermediaries, betrayals by friends, arrests while crossing the borders and even death.
2004-10-21 | si
2.0
A gender non-conforming person struggling to assert their identity unexpectedly finds courage in an aging master tailor.
2020-05-31 | en
0.0
Since childhood, Nanin’s parents taught her to be a pious woman and show devotion to her husband. But Nanin has difficulties in expressing it, although her marriage with Hendrawan has been blessed with two children. As a husband, Hendrawan neglects his wife’s feelings. Hendrawan, who lives in Jakarta, starts to cheat with another woman, Eva. Eva even tells Nanin, in Bandung, about her marriage plan with Hendrawan. When Nanin’s inner turmoil reaches its peak, she meets Salman, a student of ITB (Institute of Technology, Bandung). Nanin and Salman share similar views towards life, which make them really close. Hendrawan finds out about this relationship and he is jealous. At the same time, Nanin files for divorce. Hendrawan’s mother tries to prevent the separation while her husband blames Nanin for not being able to take care of him. Nanin doesn’t care anymore. After Salman gets his engineering degree, their friendship gets closer and divorce is inevitable.
1984-05-03 | id
0.0
The silence in the apartment carries stories. The frenzy of the streets omits our sounds. A conversation on a park bench breaks the chaos. Sílvio lives alone in São Paulo, Brazil.
2021-03-03 | en
0.0
Famed actor Lloyd Phillips blames his infant daughter Dixie for her mother’s death in childbirth, leaving her in the care of his housekeeper, Mrs. Hughes and departs. Eighteen years later having squandered the money entrusted to her by Phillips Mrs. Hughes and her worthless son concoct a swindle to refill the coffers but are ultimately thwarted.
1914-12-17 | en