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Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.
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50 min
1921-08-14
Released
English
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Billy Barton
Mary Spivins
James Spivins
Willie Spivins
Hezikah Briggs
Henry Kingston
Louise Kingston
Fred Kingston
Mother Harkins
Silas Harkins
6.4
A loser of a crook and his wife strike it rich when a botched bank job's cover business becomes a spectacular success.
2000-05-19 | en
0.0
American newspaper reporter Jim Crocker's madcap escapades in London earn him notoriety and the nickname "Piccadilly Jim." When he overhears his American cousin by marriage, Ann Chester, giving her candid opinion of him, he decides to return to America to try to reform. He meets Ann on the boat, using another name. Unable to find work in New York, he goes to his step aunt Mrs. Peter Pett's home to be near Ann. Jim then helps Ann kidnap pampered cousin Ogden Pett whose overindulgence has created disruption in the household.
1919-11-01 | en
5.0
At Thanksgiving, a tramp arrives in a homeless-hostile town.
1923-10-14 | en
0.0
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
1926-01-31 | en
6.5
Kurt Hoffmann′s satire concerning Germany′s development during the first half of the 20th century tells the story of two schoolmates - Hans and Bruno. They could not be more different. While Hans is ambitious and must always work hard for his career, it seems that the happy go lucky Bruno is carefree.
1958-10-28 | de
6.8
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
1929-01-05 | en
5.5
Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he runs afoul of the local police chief - who has a secret that he tries to keep the young man from discovering.
1925-01-11 | en
0.0
One of many Larry Semon directed Vitagraph comic shorts. Like a large portion of them this is lost.
1917-01-29 | en
0.0
Two blowhard amateur bowlers boast about their prowess only to be shown up for the Big Bluffs they are.
1917-01-22 | en
0.0
Pa Glitters and his daughter are beset upon by Slippery Ike who is intent on separating them from their jewels until Bunco Charley comes to their rescue in fine comic fashion.
1917-01-15 | en
1.0
Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."
1926-11-22 | en
0.0
Le mogli e le arance is characterized by a wonderful sereneness. It is the kind of quietude which many of us connect immediately with the south. Everything seems to be in its perfect place, and time is just passing. In the setting of a sanatorium a nobleman is practicing idleness and slow-motion mind games. Does it sound boring? Yes, it does. But it is not, the uneventfulness is definitively enthralling. The film director tries to narrate time, time itself, as such, for its own sake: a rare experiment.
1917-10-01 | it
4.7
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
1919-06-28 | en
5.5
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
1917-07-10 | de
5.5
Compilation of comedy sketches from the comedy kings Buster Keaton, Charlie Chaplin, Danny Kaye & Bing Crosby.
1960-01-01 | en
8.1
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
1921-01-21 | en
5.7
"Employee of the Month" is about a guy whose day spirals from bad to worse when he gets fired from his dream job at the bank and is dumped by his fiancée Sara. David's best friend Jack tries to convince him it's for the best, but the opposite occurs when bank robberies and millions of dollars become part of his day from hell.
2004-01-17 | en
0.0
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
1898-01-02 | ja
5.6
Peter Churchman stopped robbing banks a long time ago and is now living as a wealthy and respected citizen in Pamplona, Spain. But then his former companion Angela appears and blackmails him to help her robbing the Spanish National Bank of Pamplona. He gives in and develops a brilliant plan... Will this be then end of his comfortable life?
1967-05-24 | en
0.0
Hafed, a Turkish prince, imprisons an American girl and her father. The girl sends for Jim, who attempts a rescue. Jim is captured, but Hafed's jealous wife helps them escape. When the initial escape fails, Jim returns in disguise as a dancing girl. He dances for Hafed, luring him into a private encounter where Jim's identity is revealed. A fight leads Jim to take refuge in a tree. Surrounded by guards, Jim summons a warship. A shell from the warship blows up the tree, landing Jim safely on the battleship's deck and securing his escape.
1917-03-26 | en