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The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.
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116 min
1959-05-06
Released
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Chow Yuk-pui
Kong Yeuk-mui
Kong Chun-hang
Kong Tak-chu
Shum Suet-ying
Chow Sik-hung
Cheung Hau-yan
Chun Ngan
4th brother's wife
Taoist Monk
Songstress
Cheung Hin
0.0
During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal. This extends to her criteria for choosing a husband: excelling in flute playing. Once, she is captivated by the tune 'Three Melodies of Rainbow Dress' and mistakes the qin player Siu Sze for a fairy. Yuk then persuades Sze to sit the national exam for a better future. Sze's music attracts hundred of birds. Yuk returns to the palace pleading with her father Esquire Muk to agree to their marriage. Despite the Empress Dowager's opposition, Yuk leads a secluded life with Siu afar; a noble breed thus living a hard life. The King lets her go, only granting an annual visit. A year later, Yuk and her husband returns for a visit. The Queen still wants to break them up. Later, Jin State sends people to discover the whereabouts of their Princes. Siu is in fact the Prince of Jin. With Muk’s blessings, Siu marries Yuk in Jin, a marriage which brings peace to both states.
1959-12-30 | cn
0.0
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1968-03-13 | cn
0.0
Middle Eastern folktale collection One Thousand and One Nights has been greatly treasured by Western storytellers who are fascinated by the fantastic world within. The exoticism conveyed in Western film adaptations greatly appealed to Cantonese opera and film writer Ma Si-tsang, who adapted The Thief of Bagdad (1924) into Cantonese opera The Prince of Thieves, set in an ancient empire influenced by both East and West. In 1958, director Luk Bong adapted the play into a film, turning the thief of the original film into a Robin Hood-esque hero who poses as a prince to compete for the princess' hand in marriage. Packed with a thrilling treasure hunt and a damsel-in-distress rescue as well as eye-catching special effects, Prince of Thieves is 100% a romantic swashbuckler.
1958-01-01 | cn
0.0
This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.
1939-01-01 | zh
0.0
Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.
1955-09-29 | cn
0.0
1995-01-01 | zh
0.0
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
1959-03-11 | cn
0.0
Hotelier Pak Kam-lung meets Cheung Yuk-neong on a ship travelling to Hong Kong. In Hong kong, Kam-lung searches for Yuk-neong's whereabouts and throws a costume party to lure Yuk-neong. He finally meets Yuk-neong again but she is cool towards Kam-lung. In order to get close to Yuk-neong, Kam-lung disguises himself as a hotel attendant. Meanwhile, the gentleman-thief Yu Yat-chi is attracted by Yuk-neong's diamond brooch. Yat-chi poses as a banker to get close to Yuk-neong. He lures Yuk-neung to his hideout by falsely claiming that her father is hurt in hospital. Yuk-neung is kept prisoner in an attempt to force her father to hand over the diamond brooch. Kam-lung puts on a female disguise to penetrate the hideout to save Yuk-neong. His disguise is seen through by Yat-chi, but fortunately, the police is alerted in time. The bandits are arrested. Finally, Kam-lung and Yuk-neong are married.
1947-09-27 | cn
5.0
The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.
2018-02-11 | cn
0.0
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
1968-12-03 | cn
7.0
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0.0
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4.7
2016-04-15 | de
8.2
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
2017-05-25 | en
10.0
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2016-12-25 | de
5.1
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1983-10-22 | ru
7.8
Gao Ju (Xia Yu) and Zhang Yang (Pu Shu) were best of friends, but they fall in love with Huanzi (Zhou Xun). Huanzi loves both of them and thus they formed an unbalanced trinity. A simple promise not to meet ever again after college ended up in disaster when Gao cannot resist wooing Huanzi again
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5.4
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2002-02-26 | zh
4.8
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2002-01-01 | zh
5.8
Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.
1992-12-24 | cn